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	<title>· the cultural society · &#187; Kate Schapira</title>
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		<title>Toxic Village</title>
		<link>http://www.culturalsociety.org/texts/poems/toxic-village/</link>
		<comments>http://www.culturalsociety.org/texts/poems/toxic-village/#comments</comments>
		<pubDate>Tue, 19 Feb 2008 12:00:43 +0000</pubDate>
		<dc:creator>Kate Schapira</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://www.culturalsociety.org/?p=1231</guid>
		<description><![CDATA[Grass is green. Pigeons twitch by. Manx cat or accident victim &#8212; lost it or never had it? Incomer-vision crinkles like a wrapper creases its subject: pink and purple stripes tremble man-size on a line. The creeps that creep into our bones at night and steal calcium smell like heat treatments and children. What does [...]]]></description>
			<content:encoded><![CDATA[<p>Grass is green. Pigeons twitch by. Manx<br />
    cat or accident victim &mdash; lost it or never<br />
    had it? Incomer-vision crinkles like a wrapper<br />
    creases its subject: pink and purple stripes<br />
    tremble man-size on a line. The creeps that creep<br />
    into our bones at night and steal calcium<br />
    smell like heat treatments<br />
    and children. What does it help to hear of. At magical<br />
    distance,  the steep town rises, green<br />
    boiling up between its points. Endurance and<br />
    escape orbit or trap each other like<br />
    components of an arthritic joint. So<br />
  chase them. So blame them.</p>
<p>&nbsp;</p>
<p>The incomer could be explaining any<br />
    place whose tenants leave only to buy<br />
    poisons they can&rsquo;t find at home.<br />
    The village burns attempts. Its best<br />
    days roll on the green all struggling<br />
    to get under an inch of the same<br />
    blanket at the same time, except<br />
    for the day gazing blankly from his stroller. </p>
]]></content:encoded>
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		<title>The Dream Farm   for Rachel</title>
		<link>http://www.culturalsociety.org/texts/poems/the-dream-farm-for-rachel/</link>
		<comments>http://www.culturalsociety.org/texts/poems/the-dream-farm-for-rachel/#comments</comments>
		<pubDate>Tue, 19 Feb 2008 12:00:18 +0000</pubDate>
		<dc:creator>Kate Schapira</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://www.culturalsociety.org/?p=1228</guid>
		<description><![CDATA[I have never lived here. &#160; I have never lit a match here. Home-dipped candles build the walls by shadowing them, illumination&#8217;s fitful and declares, water runs out of my brows, my hair. How build a place you&#8217;ve never been. I&#8217;m imagining what you&#8217;ll say to me, prey animal, in the future in which I [...]]]></description>
			<content:encoded><![CDATA[<p>I have never lived here. &nbsp; I have never lit a match<br />
  here. Home-dipped candles build the walls<br />
  by shadowing them, illumination&rsquo;s fitful and<br />
    declares, water runs out of my brows,<br />
    my hair. How build a place you&#8217;ve never been.<br />
    I&#8217;m imagining what you&rsquo;ll say to me, prey<br />
    animal, in the future in which I come here.  Outside,<br />
  the well-worn darkness; shuddering lids.</p>
<p>&nbsp;</p>
<p>Someone came to crop up in conversations<br />
    that can be native without invading. Kiwis,<br />
  josta berries. You were excited. The dream<br />
  sprouted a bristling orchard. Going backward<br />
    from the hush-hush of oranges and imports, waxy,<br />
    smelling like flower store, scandalized<br />
    as you sat nourished by these, already going<br />
    down the rutted road in mind.  To redistribute<br />
    sunchokes, groundnuts, see thyme spread<br />
    into a yard.  Draw up and fork under what<br />
    you know. Under careful jade-green plastic carefully<br />
    chosen seeds sprout or rot, above them crows<br />
    step and peck.  The future is stocked with locally<br />
    viable species, good reasons as far<br />
  as the eye.  Woods form a high horizon.</p>
<p>&nbsp;</p>
<p>You say <em>farm, </em> I may picture anything.  I may<br />
    need whole new planets &mdash; a remoteness<br />
  where the lesson would take, terrace. Long<br />
    yellow racemes, teeth, stars of unrelenting<br />
    care, mild droppings, twice milking: when it&rsquo;s all<br />
    true sores will open like borders, become precarious.<br />
    Goats, alpaca graze between fallen black locust<br />
    pods and crabgrass.  Slowly with many pauses.  Try<br />
  to prove anything can exist without you.</p>
<p>&nbsp;</p>
<p>Untracked impossibilities shadowed with dropped<br />
    twigs, icicles, bark.  The very idea of<br />
    surrounding empties itself into the feed bins<br />
    poses an emptiness farm-shaped in the middle<br />
    of everything not farm.  Not tending<br />
    toward.  Everything far.  Into which goat cheese<br />
    <em>(Do we milk twice a day or let<br />
    the babies stay with their mothers?) </em> and apples<br />
    from the stooping tree, woody some years, vanish.<br />
    Before this relieves you, measure the vectors,<br />
  veins, your downwind, their matchless needs.</p>
<p>&nbsp;</p>
<p>Clearing the ground of snow to frame the cold.  Hot centers<br />
    of compost and manure: what to do as temperature.<br />
    In the middle of season, the farm is a nugget of darkness.<br />
    Even light stops at the posted intervals, detours,<br />
    blackbody, gravity, future. The space<br />
    station with its terraformed rings, farmers<br />
    suited in freefall, farm an inch from skin. Tethered<br />
    to blue-green algae, hardy banana, edible<br />
    molds. Peaceful with <em>different </em>needs. Any one<br />
    of these could drive the farm into space, a light<br />
  sprinkle of panic. The only place left. The hope home.</p>
<p>&nbsp;</p>
<p>Shade trees, buckets, fullest at<br />
    the point of its littlest stream.  To <em>get<br />
  </em>a place, own it, stake it out. Freehold.<br />
  Homestead.  Transplant.  Rescue.  Not<br />
  knowing how close, it clings, the smell of home.<br />
  Where do you see yourself sitting to count<br />
  costs, how does the kitchen spread<br />
  out from the table, house from kitchen, farm<br />
  from house, floating in dark space between<br />
  paper clouds? When a tree blows<br />
  over, that tree takes visible root at the farm.<br />
  Crows resound in it. Vultures crowd<br />
  the pines from out of bounds.  They clean<br />
  up. They go back. The stricken, the fallen,<br />
  there as here. Here as far. </p>
]]></content:encoded>
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		<title>Tulip World</title>
		<link>http://www.culturalsociety.org/texts/poems/tulip-world/</link>
		<comments>http://www.culturalsociety.org/texts/poems/tulip-world/#comments</comments>
		<pubDate>Tue, 19 Feb 2008 12:00:05 +0000</pubDate>
		<dc:creator>Kate Schapira</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://www.culturalsociety.org/?p=1233</guid>
		<description><![CDATA[A family experiences against tulips a number of lyric options. How many sides do you think the world is? &#8212; counting only on your thumbs, your narrative desires. In the pit of the windbreaker, hunger folds. On the flat, granules of distrust gain flanked by sun and gravity. Even the sky overcast. If the field [...]]]></description>
			<content:encoded><![CDATA[<p>A family experiences against tulips<br />
    a number of lyric options. How many<br />
  sides do you think the world is? &mdash; counting<br />
  only on your thumbs, your narrative desires.</p>
<p>In the pit of the windbreaker, hunger<br />
    folds. On the flat, granules of distrust gain<br />
    flanked by sun and gravity. Even<br />
    the sky overcast. If the field could heave,</p>
<p>hinge up, what points, what hidden<br />
    things? &mdash; not always treasure<br />
    under that wide smile. Statement from<br />
    one side, unspeakable from the other.</p>
]]></content:encoded>
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		<title>from Case Fbdy.</title>
		<link>http://www.culturalsociety.org/texts/poems/from-case-fbdy/</link>
		<comments>http://www.culturalsociety.org/texts/poems/from-case-fbdy/#comments</comments>
		<pubDate>Wed, 19 Sep 2007 12:00:44 +0000</pubDate>
		<dc:creator>Kate Schapira</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://www.culturalsociety.org/?p=1312</guid>
		<description><![CDATA[Infant aged eighteen months &#160; That the baby survived two previous rough prolonged is remarkable. Quick descent of girlhood, something bright before you know it. Mischance. Possible fingersweep. First inarticulate wails, thin hints. Sickly for which blame the high rate of women. Common lot. Have another. Usually such work is fatal. Make your own, a [...]]]></description>
			<content:encoded><![CDATA[<p class="style38"><em>Infant aged eighteen months</em></p>
<p class="style38">&nbsp;</p>
<p class="style35">That the baby survived two<br />
  previous rough prolonged<br />
  is remarkable. Quick descent<br />
  of girlhood, something bright<br />
  before you know it. Mischance.<br />
  Possible fingersweep. First<br />
  inarticulate wails, thin hints.<br />
  Sickly for which blame the high<br />
  rate of women. Common<br />
  lot. Have another. Usually such<br />
  work is fatal. Make your<br />
  own, a daughter this<br />
time, a grayish patch.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p class="style35"><span class="style40"><em>Child aged seven years</em></span></p>
<p class="style35">&nbsp;</p>
<p class="style35">and of various durations of sojourn.<br />
    The country she&rsquo;s going to girl in<br />
    no traveler&rsquo;s country, no<br />
  return. Stringy hair measures<br />
  the pillow. Obedience dangles,<br />
  winces. The pitcher mouth<br />
  lipped, inviting, beaded. Peroral<br />
  bronchoscopic removal. <br />
  Cure. No questions asked.</p>
<p class="style35">&nbsp;</p>
<p class="style35">&nbsp;</p>
<p class="style38"><em>Child aged eight years</em></p>
<p class="style38">&nbsp;</p>
<p class="style38"><span class="style33">Early appearance. Concern. As<br />
  she reacts. Less than that<br />
  of trauma to inspire<br />
  local and mild character, to<br />
  watch the littler ones. A sampler,<br />
  accumulation of matter. Occupations<br />
  open and close to her like old<br />
  and new wounds. Little thin<br />
  chest, little cavity. Pins<br />
  in her bored mouth. Then<br />
she laughed, or spoke.</span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p class="style35"><span class="style38"><em>Girl aged eight years</em></span></p>
<p class="style35">&nbsp;</p>
<p class="style35">Old enough to swallow herself<br />
  girls seem to be prone<br />
  with heads downward. Attention<br />
  transfixes across the lumen<br />
  her obligations. Chores.<br />
  Like on Little House<br />
  on the Prairie Sundays<br />
  no work as possible<br />
  as folded stillness. <br />
  Staring. Aged. Enough.<br />
  Cure. Inhale one every<br />
  year for the rest of your<br />
  life. See how you&rsquo;ve grown.</p>
<p class="style35">&nbsp;</p>
<p class="style35">&nbsp;</p>
<p class="style38"><em>Child aged twelve years</em></p>
<p class="style35">&nbsp;</p>
<p class="style35">By this time home is where<br />
  a girl is pinned. Metal<br />
  affinity. Cross when she&rsquo;s leaky.<br />
  Comparisons of 1, 2, 4, 7, 8<br />
  and 9 are interesting as they show<br />
  the pathologic &mdash; that<br />
  is, becoming &mdash; of similar female<br />
  bodies bound round. Shawled. Burden<br />
  bent under, not once, but again.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p class="style38"><em>Woman aged sixty-three years</em></p>
<p class="style38">&nbsp;</p>
<p class="style35">All expectoration ceases after a few weeks.<br />
  The life that led her over<br />
  which surgeons leaned like<br />
  angels. Chamber of horrors, of<br />
  life past the change<br />
  they describe from outside.<br />
  Years of one branch leading to<br />
  another lobe &mdash; felt the sun hot on<br />
  her wool shoulders and drew<br />
  breath. For a stopped instant. What<br />
  passed between inhalation<br />
  and exhalation but years? Like<br />
  walls. Sheared off. Stopped<br />
  watching. Run down: what else<br />
  was likely to occur<br />
  to her? Because the ether,<br />
  the air is local, it brings<br />
  out other voices, theirs.</p>
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