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	<title>· the cultural society · &#187; Topher Hemann</title>
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		<title>Sound Making Surfaces</title>
		<link>http://www.culturalsociety.org/texts/poems/sound-making-surfaces/</link>
		<comments>http://www.culturalsociety.org/texts/poems/sound-making-surfaces/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 03:04:24 +0000</pubDate>
		<dc:creator>Topher Hemann</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://www.culturalsociety.org/?p=3803</guid>
		<description><![CDATA[the whole while snow puts to bed differences in landscape friction in the hiss raises forests and lays flat the field to the ear&#8217;s extent – &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;• a puddle in the dark impossible to miss because of pissing rain &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;• a sound like white noise rustle or friction in the snow screen drapes over the [...]]]></description>
			<content:encoded><![CDATA[<p>		the whole while<br />
		snow puts to bed</p>
<p>		differences in landscape</p>
<p>		friction in the hiss<br />
		raises forests<br />
		and lays flat the field</p>
<p>		to the ear&#8217;s extent – </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•</p>
<p>		a puddle in the dark<br />
		impossible to miss<br />
		because of pissing rain</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•</p>
<p>		a sound like<br />
		white noise rustle</p>
<p>		or friction in the snow screen</p>
<p>		drapes over the poem<br />
		almost in its form</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•</p>
<p>		that pop song with<br />
		the submarine ping:</p>
<p>		bar dudes sound<br />
		the dance floor</p>
<p>		with eyes for<br />
		and for not</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•</p>
<p>		just as a chandelier&#8217;s scatter<br />
		of twinkling in cathedral acoustics<br />
		echoes the higher dimensions</p>
<p>		a Homeric simile conforms<br />
		to a mind&#8217;s raised contours </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•</p>
<p>		from the stadium&#8217;s roar<br />
		thru the third base gate</p>
<p>		emerges the sense<br />
		the other side will clearly win</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•</p>
<p>		where the field ends<br />
		the chatter of crickets</p>
<p>		peepers mark the water line</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•</p>
<p>		let cicadas rattle<br />
		the mind cherry<br />
		trees harbor winter</p>
<p>		in August boughs<br />
		a screen of natural static</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•</p>
<p>		As snow puts to bed<br />
		differences in the landscape<br />
		what she says quiets</p>
<p>		whatever you&#8217;d say<br />
		makes us unique</p>
]]></content:encoded>
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		<title>from Our Lady of Static: Audible Chariots</title>
		<link>http://www.culturalsociety.org/texts/poems/from-our-lady-of-static-audible-chariots/</link>
		<comments>http://www.culturalsociety.org/texts/poems/from-our-lady-of-static-audible-chariots/#comments</comments>
		<pubDate>Sun, 28 Nov 2010 14:00:45 +0000</pubDate>
		<dc:creator>Topher Hemann</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://www.culturalsociety.org/?p=2881</guid>
		<description><![CDATA[Let us say there is a lady waiting to be addressed; a voice like two stations in the progress These things descend from the static in audible chariots much as wine does after the cheers when no one looks what&#8217;s left when no witness asks the question besides the sensation of being beside your own [...]]]></description>
			<content:encoded><![CDATA[<p>Let us say there is a lady<br />
waiting to be addressed; a voice like two<br />
stations in the progress</p>
<p>These things descend<br />
from the static<br />
in audible chariots</p>
<p>much as wine does<br />
after the cheers<br />
when no one looks</p>
<p>what&#8217;s left when<br />
no witness<br />
asks the question</p>
<p>besides the sensation<br />
of being beside<br />
your own shoulder</p>
<p>listening to the static turn<br />
into falling confetti<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
There was a fissure<br />
in the static<br />
canopy above us<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<em>The voice that comes between things</em><br />
Others had cigarette<br />
faces, but you<br />
spoke to me in radios</p>
<p>when affection is<br />
a ratio<br />
of the capacity to break<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
As something distant approaching<br />
sensed on borders</p>
<p>Ears turned sideways,<br />
the universe is strung<br />
in the key of Eros<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
The infinite distance between us<br />
measured in words collapses </p>
<p>an event horizon such as<br />
spoken words are<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
A disruption in the static<br />
like a woman</p>
<p>emerging from sea foam<br />
each time you speak</p>
<p>I am undone<br />
as though from a distance<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
Let us say she has overheard<br />
the Dark Lady at the corner</p>
<p>of the poem, the things said,<br />
her capacity for the negative</p>
<p>: not you but the you :<br />
all these words just to reach</p>
<p>just to reach you, all these words<br />
to become you, to become yours</p>
<p>in your mouth, where I belong<br />
like sea foam, where I belong:</p>
<p>neither you nor I<br />
but the you and I</p>
<p>emerge in this hearing<br />
level with the sea</p>
<p>crackling across a wide surface and still<br />
immersed in this hearing</p>
<p>not one not the one<br />
but the one no one</p>
]]></content:encoded>
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		<title>from Our Lady of Static: Muse Static</title>
		<link>http://www.culturalsociety.org/texts/poems/from-our-lady-of-static-muse-static/</link>
		<comments>http://www.culturalsociety.org/texts/poems/from-our-lady-of-static-muse-static/#comments</comments>
		<pubDate>Sun, 28 Nov 2010 14:00:15 +0000</pubDate>
		<dc:creator>Topher Hemann</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://www.culturalsociety.org/?p=2916</guid>
		<description><![CDATA[I know it is dark lady when my ears pop her voice pushes static aside as oil pushes water the cold economy of report even comes to me as quote muse unquote music &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;: The radio has no memory but we do that&#8217;s the problem with the club these days: who&#8217;s the message for? The [...]]]></description>
			<content:encoded><![CDATA[<p>I know it is dark lady<br />
when my ears pop</p>
<p>her voice pushes<br />
static aside as<br />
oil pushes water</p>
<p>the cold economy<br />
of report<br />
even comes to me</p>
<p>as quote muse<br />
unquote music<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
The radio has no memory<br />
but we do</p>
<p>that&#8217;s the problem<br />
with the club these days:</p>
<p>who&#8217;s the message for?<br />
The eyes have it</p>
<p>but the eyes are everywhere:<br />
you, not you, you not you<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
music of you<br />
so simple<br />
it devastates</p>
<p>lyrics — the line<br />
between you and me<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
A man becomes musical static<br />
clears interference discerns<br />
the evidence of you</p>
<p>: three different expressions same change:</p>
<p>What is not musical becomes<br />
musical a man clears<br />
interference you discern<br />
the evidence of static</p>
<p>: three changing expressions same difference:</p>
<p>A not musical man becomes<br />
musical static interference<br />
clear evidence of you<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
A woman becomes<br />
muse static you make<br />
me such things</p>
<p>to say as I will<br />
go out with<br />
looking for you tonight</p>
<p>under napkins in jazz<br />
bars and boom<br />
clubs asking the moonless</p>
<p>invariable sidewalks<br />
to be luminous<br />
auras of the lady</p>
<p>who makes feet<br />
sure thru darkness till<br />
auras become moss<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
I am standing in my lawn again<br />
let us not fear to say such<br />
such things as we know not</p>
<p>to be true a hunter in the arch<br />
of trees above the path his bow<br />
a bunch of dots connected by		</p>
<p>a thin high branch across the sky<br />
I returned to open lawn again<br />
by way of bioluminescence only</p>
<p>a lady is waiting at the edge I<br />
stand in the offering again you<br />
made me to walk to swamp</p>
<p>to speak the words you want to<br />
speak to make me want to</p>
]]></content:encoded>
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		<item>
		<title>The Silence Argument &#160;&#160;&#160;&#160;(for Paula)</title>
		<link>http://www.culturalsociety.org/texts/poems/the-silence-argument-for-paula/</link>
		<comments>http://www.culturalsociety.org/texts/poems/the-silence-argument-for-paula/#comments</comments>
		<pubDate>Sun, 28 Nov 2010 14:00:11 +0000</pubDate>
		<dc:creator>Topher Hemann</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://www.culturalsociety.org/?p=2869</guid>
		<description><![CDATA[Stubborn the silence inflicts itself tense with each step we step around each other ears burning, burning thoughts at each sound the mind turns back to &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;: We quiet the living sounds to make them acute and stand on edge &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;: That thought is deaf in the speech vacuum or else glass exposed to breath [...]]]></description>
			<content:encoded><![CDATA[<p>Stubborn the silence<br />
inflicts itself</p>
<p>tense with each<br />
step we step</p>
<p>around each<br />
other ears</p>
<p>burning, burning<br />
thoughts at each</p>
<p>sound the mind<br />
turns back to<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
We quiet the living<br />
sounds to make them</p>
<p>acute and stand<br />
on edge<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
That thought is deaf<br />
in the speech vacuum<br />
or else glass exposed to breath</p>
<p>it is a mistake to think<br />
the world can fall<br />
so many million times</p>
<p>toward the sun<br />
and not fall mute<br />
re-entry sounds </p>
<p>not unlike speech<br />
part the air with a puff<br />
after silence</p>
<p>hateful silence ends<br />
what talk could not<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
The mind turns back to<br />
that point, owned<br />
by it and wound</p>
<p>as it is<br />
wounded, it listens<br />
sideways for </p>
<p>what it wants<br />
and what it wants<br />
to hear turns back</p>
<p>to that point, the power<br />
of it, winding<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
Not wanting mind</p>
<p>chatter the things<br />
said there still</p>
<p>is no escaping </p>
<p>the mind or why<br />
you&#8217;d say<br />
these things now</p>
<p>it doesn&#8217;t matter<br />
the mind turns back<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
The language breaks<br />
before it says</p>
<p>anything, before it<br />
can</p>
<p>The mind is no spider<br />
inching to become you<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
Silence is the hardest<br />
thing to break<br />
having the strength</p>
<p>of zero, the power<br />
of infinity</p>
<p>There are answers in<br />
affection, simple affection,<br />
simple answers<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
How little the words<br />
become not having<br />
been used much<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
The mind spider<br />
inches to become you</p>
<p>We grow tired of reading<br />
each other as signs,</p>
<p>for signs. The arguments<br />
will develop their emissions</p>
<p>as  many opportunities<br />
to signal, as  many ways</p>
<p>to step up threat<br />
a mostly empty one</p>
<p>tenfold in its usable<br />
enrichments, the range</p>
<p>of possible at bottom<br />
barely noticeable as though</p>
<p>burnt into a hillside.<br />
Whatever  answers are<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
in affection no<br />
matter how simple</p>
<p>no grand gesture<br />
wakes me to you</p>
<p>as invoking you<br />
does, something</p>
<p>that incapacitates silence<br />
should not be so simple</p>
<p>as addressing a word<br />
to make our void aware</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Hanging Bits and Rosebuds</title>
		<link>http://www.culturalsociety.org/texts/poems/hanging-bits-and-rosebuds/</link>
		<comments>http://www.culturalsociety.org/texts/poems/hanging-bits-and-rosebuds/#comments</comments>
		<pubDate>Sun, 28 Nov 2010 14:00:11 +0000</pubDate>
		<dc:creator>Topher Hemann</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://www.culturalsociety.org/?p=2907</guid>
		<description><![CDATA[&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;Give it something to hang on &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;and it will take shape &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;• &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;With razor and mirror &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;engaging in self- &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;constructive behavior &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;the hairs in the basin &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;my sex in the drain &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;• &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;Let the men say it &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;this time with feeling. &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;Now just the ladies. &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;• &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;Time enough and taboo &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;words shade from lewd &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;to [...]]]></description>
			<content:encoded><![CDATA[<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Give it something to hang on<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;and it will take shape<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;With razor and mirror<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;engaging in self-<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;constructive behavior</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;the hairs in the basin<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;my sex in the drain<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Let the men say it<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;this time with feeling.<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Now just the ladies.<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Time enough and taboo<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;words shade from lewd<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;to ludicrous to quaint</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Peccadillo sounds dirty<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;cuz it resembles foreskin<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;of armadillos</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Let the poem do<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;its mojo<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;:<br />
</br><br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A koi pond opens<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;a thousand mouths<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•<br />
</br><br />
</br><br />
	For Nin</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;All pouch<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;No paunch</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A Calvin Klein Haiku<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I will shave for you<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;when you want me<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;to.  And not shave.<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;•<br />
</br><br />
</br><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The key holes we<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;peered thru were found</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;obstructed once<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;we had the key</p>
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